erica234427 rants...
I bought Sorry For Party Rockin\' and was pretty dissappointed. It wasnt as good as I expected. Oh w ...
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erica234427 rants...
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We count down the year's most memorable musical moments, in Bigger Than the Sound.By James Montgomery
Britney Spears on the cover of the "Till the World Ends" singlePhoto: Jive
In 2011, we shuffled and shook it out. We found love and decided to dance until the world ends. We rolled in the deep and celebrated the boys with the booming systems. Shoot, at one point, we even went to Paris with Will Ferrell. It was, to say the very least, an interesting 12 months.
So, how else to sum up the year than with my picks for the 25 Best Songs of 2011: odes to partying and pumped-up kicks, songs of sadness and beauty, tunes about getting loaded and getting revenge. Pop, hip-hop, rock, bed-tronica, they're all here, and they're all important in some way, mostly because they all helped guide us through a rather tumultuous time. But that's enough from me, let's get to the songs. Oh, and I'd like to hear your picks too — drop me a line in the comments below. So now, on with the countdown.
25. Nicola Roberts, "Beat of My Drum": Supremely saccharine single from erstwhile Girls Aloud member mashes together every notable pop moment in recent history, yet somehow manages to be better that the sum of its parts. That's thanks mostly to the supercharged, sing-a-long chorus, where the whole thing comes together in a head-spinning rush. She should go solo more often.
24. Against Me!, "Russian Spies": Searing, surging punk from Gainesville lifers proves their time on Sire Records didn't soften them one bit. It only made them more resolute. And, strangely, sadder too.
23. Kreayshawn, "Gucci Gucci": Either the smartest song of 2011 or the dumbest, the beauty of "Gucci Gucci" — and Kreayshawn, for that matter — is that the answer is probably both. The goofy, horror-movie synth squiggle, the dollops of low-end whomp, the part where Kreay claims to have swag coming out her ovaries ... it's all good. Even if it's not.
22. Gospel Music, "This Town Doesn't Have Enough Bars for Both Of Us": Peppy, poppy, pocket-rock that laments the lack of quality drinking establishments in Owen Holmes' hometown of Jacksonville, Florida, and dares to ponder one of life's great post-breakup quandaries: When does our place become just my place? He's not smart enough to know the answer; instead, he spends his genius on barroom bon mots like, "I'm not drinking anymore/ But I'm not drinking any less." Works for me.
21. Demi Lovato, "Skyscraper": For about a week, this was the biggest song in the world (or the Internet), a fact that had nothing to do with irony, our nascent sense of superiority or kittens, and everything to do with the startling connection Lovato makes with the track itself. Oh, and the fact that she sings the absolute beejezus out of it. Given everything that's happened in Lovato's life, that connection makes sense, but it's the maturity she shows on the song — and that final, chill-inducing chorus — that opened eyes, and served notice. Welcome to the club, Demi.
20. Lykke Li, "Get Some": Overlooked, otherworldly single off Li's equally overlooked (and otherworldly) Wounded Rhymes album, this one is very much about sex. Thumping, bumping, panting ... and then Li pushes it all over the top with her smoldering, sumptuous vocals. The kind of song that requires a cigarette and a cold shower after repeat listens.
19. The Black Keys, "Lonely Boy": After spending portions of their breakout Brothers album getting slightly contemplative, the Keys roar back with "Lonely Boy," a song that only contemplates how best to make a guitar rev like a V-8 engine. A hard-charging, and even harder-chugging treat (with an equally hard-partying music video), it's the kind of classic claptrap you always knew they were capable of making.
18. Chris Brown, "Beautiful People": Folks can talk about Brown's hip-hop turn on "Look at Me Now," but this single represents his biggest reinvention to date. A slippery, shiny club track helmed by Benny Benassi, like most of Breezy's work it is undeniably sexy, but it's also subtly smart too. And that's where he made his biggest strides. Also, unlike "Look at Me Now," he doesn't even mention Mr. Miyagi once.
17. YACHT, "Dystopia (The Earth Is on Fire)": Every day the sky gets lower (lowerlowerlower!) And every day the flames get higher (higherhigherhigher!) So, with apologies to
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