Though their producer indicated a return to the simplicity of Dookie, the full text of Green Day's Rolling Stone interview explains that it's not going to be a return to the sound of those records:
People ask me all the time. Even my son asked me, "Dad, would you ever go back to playing songs like from [1994's] Dookie and [1992's] Kerplunk?" I love those records. I love the punk stuff I grew up on. But there are so many bands who make the mistake "We're going back, old-school." Well, that's all you're doing. You already did it. So we're changing the guitar sound. We're not going with the big Marshall-amp thing. We wanted something punchier, more power pop somewhere between AC/DC and the early Beatles.
Mike asked me to write a song with a four-on-the-floor rhythm. I'd never done it before. It's kind of like Sandinista!, Ian Dury's "Sex & Drugs & Rock & Roll" and the Tom Tom Club song, "Genius of Love." We were trying to figure out how to make dance music without turning into a dance band.
We wanted to be part of it in some way. I thought it was about working people and where we come from. But Oakland got really complicated when the anarchists started coming in. I'm not into that smashing the windows in a small business. It's interesting: Cops are 99 percenters. Firemen are 99 percenters. That's where the anarchists are confused. This is much broader than you think it is.
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